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Hamlet V. 

or what's new at Elsinore? 

a musical tragicomedy by Frantisek Vanecek,

inspired by the works of William Shakespeare and Tom Stoppard 

Naše Divadlo Calgary 2024/2025 Production
 
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Cast

Claudius, king

Gertrude, queen

Hamlet, Danish prince

Polonius, chancellor

Ophelia, his daughter

Laertes, his son

Rosencrantz, marquise

Guildenstern, marquise

First Gravedigger

Second Gravedigger

First Actor

Second Actor

Third Actor

Fourth Actor

Ghost, Hamlet senior

Erik, page

Laura, page

Priest

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Peter Zizler

Dagmar Rakusan

Martin Lacko

Jan Jelinek

Martina Vaneckova

Lubomir Plaskon

Alena Slackova

Gvendolina Goluska

Jaroslav Matey

Natalia Vaneckova

Marcela Mitrengova

Julia Aleksandrov

Martina Vaneckova

Zdenka Zizlerova

Lenka Plaskonova; Viktor Kulha

Jonathan Matey

Monika Kadlcek

Pavel Zizler

Production Crew

Director & Dramaturge

Assistant Director

Executive Producer

Technical Director

Music

Set Design

Sound, Lights and other magic

Costumes

English Version of the Script

English Subtitles

Prompter

Frantisek Vanecek

Natalia Vaneckova

Erika Holderer

Martin Lacko

Pavol Stankovic

Frantisek Vanecek, Martin Lacko, Marianna Kilo-Zezulka

Viktor Kulha, Lubomir Plaskom, Lenka Plaskonova, Dominik Spilak

Natalia Vaneckova, Marianna Kilo-Zezulka, Jana Dancakova

Natalia Vaneckova, Jan Jelinek

Jan Spak, Tomas Rakusan

Janka Spilakova

Natal

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With thanks for supporting the company: Evka Goluskova, Marika Vaneckova, and Dasa Ozaniakova.

Production Steps

Stage Combat 101, Singing 101, First Table Reads,  Rehearsals

Why return to the story of the famous Dane at all? And why this Hamlet?

This particular retelling comes from the workshop of our very own František Vaněček, who first created Hamlet V in the 1990s. Inspired by Shakespeare himself, by Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, and by the bold, satirical energy of Večerní Brno, the play reimagines Elsinore through a sharply comic—and unmistakably theatrical—lens.

Hamlet V, or what’s new at Elsinore?, is a full-blooded musical tragicomedy, accompanied by original music composed by Pavol Stankovic, with lyrics written by Frantisek Vanecek. It blends classic Shakespearean themes with irony, absurdity, and a knowing wink to the audience. While the story may be familiar, this version gleefully bends reality. Characters step outside expected roles, tragedy collides with humour, and Elsinore reveals an unexpected, often surprising face. Add to that thrilling sword-fighting scenes, unforgettable music, and a cast whose creativity breathes life into every moment, and the result is a Hamlet unlike any other.

Take a peek below to see how the production came together

Stage Combat

Production on Hamlet V began at the end of March 2025, but very early on it became clear that this would be a physically demanding production—one where movement, precision, and controlled violence would be just as important as text.

After initial table reads and audio recordings, the company launched into Stage Combat 101 in May and June, a foundational phase that shaped the entire production. With multiple confrontations woven throughout the play, and with key characters such as Hamlet, Laertes, Rosencrantz, and Guildenstern deeply involved in physical storytelling, fencing and stage combat were not optional—they were essential.

The cast trained intensively to make every duel safe, exact, and visually compelling. Footwork, timing, distance, and trust became core rehearsal language. What might appear effortless on stage required hours of repetition, discipline, and focus, and every actor involved took the challenge seriously. These sessions didn’t just create fights; they built confidence, ensemble awareness, and a shared physical vocabulary that carried through the rest of rehearsals. Following Stage Combat 101, the actors broke for the summer with a clear task: learn lines and retain the physical precision demanded by the fights. Meanwhile, the production team continued shaping the world of Hamlet V, working on sets, props, and costumes to support the action unfolding on stage. When rehearsals resumed in September, the groundwork laid in the spring paid off. Fight scenes could be integrated smoothly into full runs, allowing actors to focus on emotional stakes without sacrificing safety or clarity. As rehearsals moved onto the stage, the fencing sequences gained scale and intensity, becoming some of the production’s most striking moments.

Later in the process, the cast also completed a Singing 101 workshop to support the show’s musical elements, but it was the early commitment to stage combat that set the tone for Hamlet V: bold, dsciplined, and physically alive.

Table Reads & Rehearsals 

Language

At Naše Divadlo, we take pride in being both Czech and Slovak. For us, it’s important that both identities are represented on stage. That’s why every production is performed simultaneously in Czech and Slovak, with each actor speaking their native language — Hamlet V was no exception.

For this production, we went a step further: we added English subtitles, making the play as inclusive as possible. This allowed our Canadian audience to fully enjoy the performance and experience the magic of live theatre in both Czech and Slovak.

Premiere

January 16, 2026

Encore Performances: January 17, January 25, January 31

Bulletin

Song Recordings

We are exploring the possibility of recording the songs from the play and will update our website when they are ready to be shared. Thank you for your patience and support!. 

Performance

We’re sorry, but the recording of the performance (premiere or first encore) isn’t available to the public at this time. We’ll update our website as soon as it’s ready to be shared. Thank you for your patience and support!

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Naše Divadlo Calgary is a registered not-for-profit organization. You can support our work by making a donation by clicking here. Every contribution helps us bring Czech and Slovak culture to the stage and beyond.

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© 2024 by Naše Divadlo Calgary. All Rights Reserved. 

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